July 28, 2010

Please, Allow Me To Introduce Myself

or How I'm Stealing an Idea From Amelie

I know this is going to seem strange, but I am going to introduce you to two stolen cats. I am leaving on a trip halfway across the country. 2,300 miles through the midwest is a long fucking drive full of flat lands, bible lovers, wheat, big skies and hot, humid temperatures.  No mountains, all red states, all big skies. To liven the trip:


Chong Wang


 Chong Wang's narrative is far less exciting than Rampoozle (see below) Chong Wang is a ceramic cat that is supposed to bring you good luck. I have no idea where C.W. came from. I also did not name him. However the story of  C.W. is as follows:

My friends in Bellingham live in a cluttered, cute, and slightly kitchy house. For my last several weeks, I just semi-lived in this cute, cluttered home. One day, after much wine and records, and sun, I saw this mysterious ceramic cat perched above the sink. I eyed this ceramic cat for weeks. I tried to devise a way to sneak it out of the clutter.  Then on the Fourth of July ( see: Ms. Pepe Lopez) before crawling into bed, I was so bold to sneak this cat into my purse. 

Since then C.W. has been to many places:
C.W. in Clayton, Washington
 population 134.

C.W. on a Drinking Binge
Somewhere along the freeway bridge in Spokane, WA

C.W. on some classy dame's stomach, getting fresh 
Somewhere in Northern Idaho, by a lake.




   ~~~~~~~~~~~~


Rampoozle


Rampoozle was found one dark, mysterious night on S. Freya Avenue in Spokane, Wa via 2005. 
One night, one of my best friends (and travel partner-in-crime) was driving late at night with her boyfriend at the time. While driving, she slammed on her breaks when she saw the outline of a black cat in the roadway. Realizing that the cat did not move, at all, she went out to investigate.

Hoodlums had propped up this cat against a brick and placed it in the middle of the road. Outraged at the angst-ridden youth of Spokane idea of entertainment,  she took the cardboard cat and named it Rampoozle.

She then took this cat down with her to WSU for her freshman year of college. It saw many-a-nights of wheatfield debauchery and WoW (that's right, World of Warcraft) playing. From there, it moved with her to EWU where we were roommates.

Here is where the story thickens. We put Rampoozle on our dorm door as decoration. We both had boyfriends at the time, and had a secret code, "Uncle Ralph is eating Chicken Pot Pie" when we didn't want to be disturbed.  You know, when we were getting...frisky.  This code was obvious. One day, we came back from class to find a  blue erect penis tacked onto Rampoozle. To this day, we have no idea who put the blue genitals on the cat, but we can only know what they were meant to signify. We then moved the cat inside our dorm room. 

Proof of Rampoozle circa 2006 with the blue penis:

photo courtesy of my friend Jeremiah
EWU- Streeter Hall



July 26, 2010

Breathless (À bout de souffle)

or Why  Crisp B&W Cinematography and French 
Philosophical Plots Make Me Fall In Love With Film

Breathless (1960)
French New Wave 
Directed byJean-Luc Godard




This movie is incredibly well done.
Godard always has crisp cinematography, so watching it alone for the aesthetics is mind blowing, but there are also a lot of thematic elements at play here.

*The main romantic interest is an American, so you can see the portrayal of American woman by W. Europeans (American Woman are independent, easy in bed, simple minded)
*Themes of lawlessness, and the French Anarchist Revolutionary mindset
*Tragedy. I can't explain this one too much without giving this away...but this movie is a tragedy.

The plot line weaves philosophy, action, a bit of romance and political discourse/lawlessness with the aesthetics of classic, crisp and artistic Godard.

Formal Review

Plus, add in Jean Paul Belmondo and you have one saucy French Film:

July 23, 2010

Youthful Vigor

Satchel Paige's"Rules for Staying Young"

1. "Avoid fried meats which angry up the blood."
2. "If your stomach disputes you, lie down and pacify it with cool thoughts."
3. "Keep the juices flowing by jangling around gently as you move."
4. "Go very light on the vices, such as carrying on in society—the social ramble ain't restful."
5. "Avoid running at all times."
6. "And don't look back—something might be gaining on you."











Don't know who this is? See: http://www.satchelpaige.com/

Local Flavor

or While Reading 'The Inlander' I Stumbled Across This Artist from Spokane.



So. Ok. Obvious influence by Beck, a very low-grade, Beck, but its something that I can appreciate. The record was released in a very small independent label in Idaho, in an area that isn't really reputable for being supportive of local artists. This isn't Seattle. This isn't the West side of the state. Spokane is the "cultural epicenter", the largest city between Seattle and St. Louis. This is a small town of 300,000 people, mostly proletariat just trying to make a living, pay taxes, enjoy life and raise a family. And,  this is something I can really appreciate. These are, in fact, my roots.

 I really do enjoy how the aura- of this city is captured here.  The video was shot at a *very* familiar park on the S. Hill,  the flat tonality and imperfections of his voice set the mood  for the city as a whole and well, the lyrics, "On my days, drifting through the haze/so pick me up/send me on my way/play it down.../cause all those knives you're tossing/will catch you in the back/ so make your mind" seem simple, yet oddly effective in their approach. This song, contextualized with the area, fits very, very, very well.

I guess what I am saying is, I can't critique this song. It's not mind-blowing, but it's remarkable that a local artist was published  & reviewed in the Inlander. At the end of the day it makes me really happy to know that creative people can produce here.


Plus, homeage to the garbage goat.



I'm still working on the blog about educational reform and temporal band-aids...but it's gonna be a while folks. Sorry, it's a complex subject and I don't know if I am really qualified to be informed. Education in the U.S. is a fucking mess and I don't think I can put together a cohesive blog post.
However, I'll try.


July 21, 2010

Digital Literacy and Why I Disklike the Kindle

or what is really going on with the Kindle?



vs.



Yesterday I was reading the NY Times and I found this:


 E-books have officially outsold hardback books on Amazon.com. We all knew this day was coming, but I am still disappointed. 

So, there are several things to be noted here and they all have to do with the idea of artistic creation in a capitalistic paradigm and the current shift to digital literacy. 

In lou of digital literacy being incredibly postmodern, (or maybe even the end of postmodern) this post will be all over the place. 

----

1) Paperback vs. Hardback
 *Paperbacks have the soft cover, hard backs, well, they have the hard binding. They are typically more expensive due to the cost of production and binding. It makes sense E-books out sold hard back books. When they outsell paperback books, it will be the demise of modern literature and it will represent a the end of an era and the beginning of a completely new way of interacting with text on a mass social level. I don't believe we, as  a society are there yet. Libraries still have books, bookstores still exist and people still buy non e- books. 

2) E-books are cheaper but proven less cognitively effective for memorization than 'real' books, in theory. It is proven, tangibly touching, highlighting, underlining, writing in, etc. books is a more effective means of memorization by both psychologists and linguists. It is the way our cognition works with the interaction of linear text. Most people learn by interacting with something real, not a binary code on an electronic screen transformed in html/xml format. This is why most college bookstores still have actual textbooks and not e-textbooks. (or so I'd like to believe!)

3)Reading from a screen for longer than an hour at a time outputs frequencies that are harmful to your eyes. 

Regardless

3)Reading, whether it be on a fucking e-book or a paperback IS GOOD. So, if you wanna read a Kindle, go ahead. But, there is more here than actually meets the eye.




Elaboration on point 1- In a society economically  based off  production and consumption, the cheaper the better. It's a simple cost/benefit analysis.  However, a writer is an artist. So in accordance with this, value must be placed on the work of art. Artists  have meager paychecks in relation to how society values their art economically. This is why there was a huge movement with artists in Great Britain via pre-modernism with Socialism. In a political sense, Capitalism is not an economically conducive  structure for those who create art.  Problem starts here. 

These are all post-industrial Neo-Marxists and  Socialists, but represent the wide array of ideas about artistic production and value in a Capitalistic Industrial Society. Is the problem the Kindle, or is the problem the production of books?


Walter Benjamin:

William Morris
or 

Oscar Wilde

Socialist League

So, there is something larger to be noted here. The Kindle proves that art cannot escape the structure of the sociopolitical atmosphere. What does this mean? Artists are not valued economically in a Capitalistic setting. This is part of the problem. 


 Sidenote: Oprah and Barnes and Noble have a large say in the NY Times Best Sellers List. In fact, there is a direct correlation with the marketing Oprah does in partnership with Barnes and Noble. So in an economic lens,  books are simply another outlet for consumption. You will consume them by purchasing them.  Publishing houses will find ways to make books have high profit margins and desirable to the general reading public.



However, I often times think, people forgot that mass written literacy has only been around since 1500 with Martin Luther and the invention of the Printing Press. Until that point, words were mostly oral to the masses, they were sounds and not a visual object. They had no permanence; in orality, they were only linguistic sounds, nothing more! In fact, most people in Western society couldn't read.  Then, the printing press was invented,  text became a permanent object fixed in space in time. Text  became linear.  However, currently, we are in a shift that allows text to be uni linear (or hypertext). In fact,  the words I type right now are uni linear, strictly in the way I interact with the letters that form the words, that, in turn, form the sentences. 

Case in Point:

So, contextualized, words are going to change, whether you or I like it or not. I dislike the Kindle, personally because I prefer artistic creation being tangibly real rather than a binary code embedded in an electronic box, in a strictly formalist perspective. On a sociopolitical level,  I think the Kindle is merely a symbol for a larger problem with the value of artists and their creations in an economical lens.

However, I will weep with my piles of books as  Kindles eventually outsell paperbacks.  It's only a matter of time. But, let's all take a step back and critically analyze why this is occurring. 

-Social Shift to digital literacy
-Cost/Consumption/Production of an artistic object in a Capitalistic Paradigm 

However all is not lost!  Something  incredibly fascinating is going on with hypertext and books, when it is done in a creative manner.

Two wonderful works of art that SHOULD be read on an electronic screen:

and 

My Conclusion:

All is not lost, just in the use of linear text in a uni-linear outlet. Hypertextual novels have a lot to offer in their theory, in the postmodern, formalist, fragmented whole, Barthes "Death of an Author" kind of way. Kindles should be used for hypertext novels like "House of Leaves", as a Kindle can do things a bound book cannot.  Linear texts on a Kindle? A big fucking, "No thanks!"

Until creative authors really hone this new medium and hypertext becomes interactive, stick to a book you can put on a shelf. It's better for your memory, better for your eyes and in my opinion, better for the writers/artists who created the book.

July 19, 2010

Brain Sex & Nerd Out.



After spending a day getting lost in Semantic theory in the arid, sun I find the following idea very, very  sexy:

Semantic Web Theory

Hey, we may all hate the kindle, but something has to be said about the new form of digital literacy, hypertext, immaterial and the evolution of our cognitive process. Hey-oh, cultural shift.


Curveball:

Throw in the fact of a failing American Public Educational System, funding, the cost of technology (in relation to this funding), retention of these public school students into higher education and well, folks, you've got one big problem.


http://mediatedcultures.net




Hey and the idea of collaboration via web 2.0 




July 17, 2010

Back it Up to Early June

or 

Hiking Canyons and Climbing Trees

and

  Just Images











July 16, 2010

The Last 24 Hours




or 

Why has my life started to feel like a cliche teen-coming-of-age-b-movie?

and

Washington's Take on the Movie, "Garden State"



Yesterday started like any other day. I woke up, drank my morning coffee while listening to radio news. I pondered the way in which politics work, the news, the BP oil spill, the EU Economic system, etc, etc.  I took my dog for a walk along the sprawling suburban sprawls.  However, my day took a drastic turn once I was home and I realized I needed to be fingerprinted for my new job.

The court house in my hometown is located in an area dubbed, "Felony Flats." There are a slew of bail bond joints, cheap apartments for ex-convicts, high homelessness and social unease. I realize there is no where else I can get fingerprinted, suck it up and drive down. First, I get lost. I haven't "lived" here for 4 years and the streets are now unfamiliar and vaguely foreign. I lock my doors, pull over, walk past a man with scabs on his face (a sign of the use of meth) and go to a cop to ask for directions. He points a block away, tells me to park behind the truck.

I'm fine. I park, go through  security. I find the small, cream, window-less room. I see signs that read, "Guns: Our Right as Americans", "Support or Troops!", "Bush/Cheney 04" and "Patriot Act: If you have nothing to hide, don't be afraid!" I sit down, pull out a book while I wait, in ideal hopes I will look occupied and people will leave me along. Wrong.

Five minutes pass, and I feel a tap on my shoulder. I look up, only to see a scraggly woman with thinning brown hair looking at me. She hands me a piece of paper torn out of a notebook. On it, written in frantic, fast print is the following, "Pearls, white smaller than a dime, from Bali…Pearls, off-white, cream, small.." this continues to go on for the entire torn page. She tells me her son stole her pearls for drugs and now needs to write a description. She wants me to help her writing the description.

Let's pause: First of all, I don't know why she asked me this. Secondly, the way in which this note was written was strange. There were phrases repeated, nouns displaced and strange, non sequitur verbiage. Something isn't right, in fact,  something is very, very, wrong with her at this moment in time. The way this is written reminds me of Freud's coke writings, and keen attention to detail. I knew right away this woman was on drugs, but scanning the note just further proved it.

So, I kindly ask her to follow me. I take her to security.

The rest of my time in the court house was normal, a few weird tweakers, but that just comes with the territory.

Driving home, I see two mormons riding bicycles in full suits. It was 86 degrees.

Here, my day falls back into it's natural rhythm.

Until I go out later than night. This is a classy, classy town, with 1.00 pbr specials and 1.00 grilled cheese.  It's a hip bar. There's a lot of plaid. A lot of straight haired, indie-girls, a lot of men in clothes-too-tight for them with Buddy Holly glasses. Everyone looks the same in the "I'm trying to be different mentality." I try to make jokes with two scene kids about how I love Nickelback. They take me seriously. I throw in the sass, extra thick. They're drunk and they actually think I respect Nickleback as a band. They make a joke about the facebook page, "Can this pickle get more fans than Nickleback?" Knowing they are not getting my sarcasm, I just... give up and  I convince someone who actually got the sarcasm to play Johnny Cash on the jukebox. Success!  I order my gin and go sit down.

I then get into a discussion about vegans. Back-context: While I respect vegans, I think it's an elitist kind of lifestyle. You have the money and the choice to, well, be picky about food. I have nothing against the choice, but personally I do not agree with this. That's all. From my standpoint: I'd rather buy organic food and give the extra money to people who have trouble actually obtaining any food. The man takes this personally and gets really offended. His friend then takes out a pocket knife.

Whoa.

He wants to, quote, "Mark his cup."

At this point, I'm done with my gin. I'm done with the scene 20 somethings, I'm done with listening to music I heard in  my junior year of college and I'm done with the weird man pulling out a KNIFE AT A BAR. I put on my bitchy sass, and I tell him to put the knife away, ask him what was wrong with a pen,  I tell him it's illegal and I also personally attack his masculinity and the fact that he needs to assert his dominance.  He puts the knife away, gets up and finds another seat. I put away my bitchy sass and go dance to Neon Indian with some strange hipster who looks like every other hipster I've ever seen. He is not fun to dance with. I then go outside to  call my friends from Bellingham. Once outside, I see a firetruck, three cop cars and a crowd of people outside a building down the street. I hang up and go back inside.

We then leave to go grab something to eat. We walk down the street, around midnight. It's desolate, it's dark and I can only hear the thumpa-thumpa of a bar playing hip-hop for hussies.

Once inside the 24-hour diner, I see three things:
1) A lone cowboy, wearing a cream colored ten gallon hat sipping coffee.
2) Fake breasted drunk woman displaying an inordinate amount of  public affection
3) Old people from our High School

3) These two men are wasted. One of them went to jail.  I am going to not go into detail here, but it was a serious allegation. I wonder how the legal system let him out. He's not openly vicious, but still, he's an ex-convict, with  more than a felony on his record. Yeah.

My friends and I  eat our food as fast as possible. We leave. We get harassed by drunk men while we walk down the street.  One of them screams, "faggots" at us. Clearly, I am gay. CLEARLY. And, even if I was, why would you yell this to a group of women?

By this point, I'm envisioning my life vaguely resembling the coming-of-age "Garden State" and all of those, cliche motifs. Only in my version, there is no sexy Zach Braff, only strange hipsters, drunk men and a shittier soundtrack.

July 12, 2010

"This is All the Spanish I know"

Or 
Oh %*#?:! this Album is Amazing

Let me preface this by saying, prior to this, I never paid much attention to Neil Diamond. I have heard Hot August Nights, appreciated it's rocking nature, but it never really stuck with me like this record.





I am not a music critic. I am not a pretentious hipster who thinks the music you listen to sucks and I am not going to linearly depict this album. Instead, I am only going to tell you to listen to it, because it will lift your spirits. The energy Diamond gives off is absolutely amazing.  It's raw and uninhibited, like you've never heard  before, at least by Diamond standards. 





July 7, 2010

My *Amuurican* Penis

or

Never start a game of,  "Why I Love America"
with Pepe Lopez Tequila.


For the fourth of July, I thought it would be a great idea to make friends with Ms. Pepe Lopez, a fine, fine, classy tequila. As you can tell,  I was feeling like a fine, classy dame.

To provide some back story: I reside(d) in a very liberal town. People here tend to vote very left, are strong into large taxes, socialized medicine, education and dig Obama. The progressive words like 'Cunt' and 'Queer' are not faux pas. In fact, in conversation, most people I know use them. People are into green energy, composting and appreciating nature.  I love these people but I tend to be a bit more classically libertarian. We usually agree to disagree.


I, however, was born in a conservative, suburban, white area. People didn't really like taxes and most people I know voted for George Bush. Twice.  I had a neighbor who would go up to those using food stamps in the supermarket and aggressively critiqued their purchases. Often times, he scared away the person purchasing the groceries all together. At the time this seemed like normative culture to me.

Contextualized, it makes sense that I have a big 'ol American Penis. I love America. I realize there are many problems here, socially, racially, economically and well, structurally. But, still, I appreciate all the wonderful American things on a purely personal, hedonistic  basis.  Like,  very simply-- the ability to drink beer and blow things up.

To me, the 4th of July represents all that is wonderful (and wasteful) about our excess. We consume beer, eat cheap grilled food, converse with our friends, appreciate those who have fought for us and  in the meantime, "blow things up." (Fireworks, people, fireworks!)

So, you may think I'm a conservative, close minded asshole, but only on the 4th. It's the one day it is acceptable to be radically flashing your stars and stripes, your American Post- 9/11 Pride Masculine Penis. For one day, I don't care.

 So, back to Ms. Pepe Lopez. After several swigs of her, my friends and I thought it would be a great idea to start a little game called, "Why I Love America"  One shot for a "good" answer, two shots for a "bad" answer. This did not go over well and Ms. Pepe did not approve of any of the answers, so she gave no shots.

Soon, drunken discussions of sexism, racism and all the reasons NOT to love America came up.

Me, "Why do YOU love America?"
Response, "I don't."
Me, "What!? No Ms. Pepe for you!"

or

My friend, "Why do you love America?"
Response, "This country is sexist!"
My friend, "Yes, but why do you love America?"
Response: "You're a white male!"

Soon, I became frustrated, I grab Ms. Pepe and cuddled her with my big, hard, erect American Penis.

I then sneak into an old house of mine, which no one was home in and watch the fireworks from the roof. Realizing, I could get in a lot of trouble for this,  stash the Oly tall boy on the roof, tell my friends to leave, take a swig of Pepe and crawl back through the, small bathroom window. Needless to say, I saw the sunset, fireworks and cradled my big American Masculine, Capitalistic Penis. For this breaking an entering was a small price to pay.

I know. I'm an asshole. But, if you want to talk politic, policy, reform, let's do it any other day but July 4th.

Which leads me to my next post:

Educational Reform and the Idea of the Social Temporal Band-Aid

or

Why the System Will Never Change?

and

Can You Really Out Live Your Idea?

July 6, 2010


Photographers deal in things which are continually vanishing and when they have
vanished there is no contrivance on earth which can make them come back again. 
-Henri Cartier-Bresson







Sometimes it is nice to have a reminder about
 how beautiful and breathtaking a moment in life can be.

July 3, 2010

Limbo


The word limbo originated from a Catholic Definition, meaning  in-between the outer layer of hell, in accordance with Dante. It has since progressed since that time to just mean a stage of in-between. A time where there is no solidification,  no one place, no permanence, an texistence between two different realms. 


Limbo. Our entire life is a limbo.

 But, this is not what  I'm not going to write about.


----

I heard the whirling repetitive wind of the fan as  her small lips uttered words of Jesus. The pictures in the book were colorful, the words were simple. "Jesus was King!"  She sat back, her Jonas Brothers flannel pajamas contrasted the pale pink of her wallpaper. The corner of her room was peeling, exposing a weathered off-white wall,  the peeling printed flowers wilting. "Jesus was the King, and he was born in Bethlehem."

I looked over at her wall. There was a Psalm 2 on her written on a polished, shiny tree trunk that contained a blurry reflection half my face as I read it.  Next to it, a picture of Hanna Montana, that read, 'Girls Rock!'

"He was King." She kept reading, the fan lulling my thoughts, her words familiar yet as they left her mouth, floated into the air above her, the sound falling,  becoming foreign. Those words formed another language.

She looked at me, each Jonas brother on her shirt, smiling. "Wait. So, if Mary was Jesus's mother, how come her husband wasn't Jesus's dad?" she asked.

I paused. 

For a while back in high school, I used to teach Sunday school at an Episcopal church. Every Sunday I would pick a lesson from the Bible, read it to the children, grades 4-6. I would then assign them exciting art projects to do that adhered to the moral lesson. I asked them questions, like, "What is right and what is wrong?" or "How do you become a good person?" It wasn't so much that I held the words I read to them to be absolute Truth, but rather, I liked hearing what kids would say when you asked them philosophical questions. I was 17, selfish, immature, insecure and vapid. I was, an American  teenager. I had sex. I drank booze. I smoked pot in my hot tub while I was naked with the opposite sex. I snuck out of my basement window when my parents were sleeping. I toilet papered houses.  I was not moral.

 However, every Sunday, I was someone who could make the class of 6 kids think. I liked this. 

I guess, my Sunday's were cheap, knock-off version of  Bill Cosby's show, "Kids Say the Darndest Things."

When asked,  "What is the difference between right and wrong?" a little girl, named Sara responded, "Well, I guess it is when you know deep down what you did will hurt someone else!"
I still use that definition to establish and perfect my own binary of right/wrong in morality. 

So here I am, eight years later, realizing my own disconnect from this small girl reading me words of Jesus. Her world is  full of things I cannot understand, Ke$ha, Jonas Brothers, Hanna Montana, using Youtube to find dance music, texting her mom and emailing her grandmother.  Now, she thinks that the words and stories she is reading to me, to be real. To her, they are Absolute Truth. In her life, there is no limbo. To her, everything makes sense. If not, someone has the answer. 

I pause. I look at the Psalm, I look at her Jonas Brother Pajamas, the Hanna Montana on the wall, and I answer.

"Well, to some people, mostly Catholics, they believe that Jesus planted the Seed into Mary's belly. Mary's husband isn't Jesus's father-- Jesus has a father and that is God."  and then, I say, "Uh, Yeah, Jesus was also brown!"


"What? Well then, God could be purple," She said.

I read her another story, the one about the three wise men. I think about how awful the frankincense smelled every Christmas Eve for two hours during service.  I close the book and put it down on her nightstand. 

 I look at her, her room with the peeling wallpaper, the walls with the strange symbols. Here, Hanna Montana, Jesus and the Jonas Brothers are all smiling their straight, white teeth at me. I don't know how Mary got pregnant, I don't know what Jesus did, I just know he existed.  I don't know who the Jonas Brothers are and I don't know if God is purple. 


I close the door, turn off the light, shielding my vision from Hanna, Jesus, Jonas and her wilted, peeling flowers.